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Indigo Waves and Other Stories, 2023. Exhibition view Gropius Bau Berlin
Field of Fragments (Gulupdo)_18, 2023, Sand on canvas, 100 × 72.5 cm
Field of Fragments (Tae-an Bando)_16, 2023, Sand on canvas, 100 × 72.5 cm
Field of Fragments (Tae-an Bando)_17, 2023, Sand on canvas, 100 × 72.5 cm
Jeewi Lee, 2023. Exhibition view Deutsches Architektur Zentrum (DAZ)
Vor·wurf, 2021. Exhibition view SEXAUER
Hinsichtlich – Regarding (Pazifscher Pollack / Alaska pollock), 2021, bronze sculpture, 61 x 15 cm
Gemäß – According to (Suppenkelle / soup ladle), 2021, bronze sculpture, 30 x 10 cm
Anlässlich – On the occasion of (Form für traditionell koreanischen Reiskuchen / Korean traditional rice cake), 2021, bronze sculpture,
38 x 8.5 cm
Shelter shells (diagramm)_01, 2023, 3 used glass roof tiles, sheet metal rack, 36 x 47 x 8.5 cm
Shelter shells (diagramm)_04, 2023, 6 used glass roof tiles, sheet metal rack, 36 x 93 x 8.5 cm
Kunstverein in Hamburg, 2020. Exhibition view
Ashes to Ashes (Purifying), 2019, soaps / ash, charcoal, essential oil, dimensions variable
Hamburger Bahnhof, 2021. Exhibition view
Städtische Galerie Ostfildern, 2021. Exhibition view
Silencescape_02, 2022, soap-blocks: ash, charcoal, organic oils, 53.5 x 37.5 x 5 cm
Silencescape_07, 2022, soap-blocks: ash, charcoal, organic oils, 53.5 x 37.5 x 5 cm
Inzision_Studie 02, 2018, Takbon Printing Technique on Hanji paper (framed), 79 x 105 cm
Inzision_Studie 03, 2018, Takbon Printing Technique on Hanji paper (framed), 79 x 105 cm
Inzision, 2018. Exhibition view SEXAUER
Journey (Future Past Tense)_02, 2023, Inkjet print on Hanji-Paper with algae,
110 x 81 cm
Journey (Future Past Tense)_03, 2023, Inkjet print on Hanji-Paper with algae,
110 x 81 cm
Blinder Beifall, 2016. Exhibition view SEXAUER
Making of Blinder Beifall, 2016
Field of Fragments (Alentejo)_03, 2023, Sand on canvas, 100 x 80 cm
Field of Fragments (Alentejo)_03, 2023, Sand on canvas, 80 x 60 cm
Field of Fragments (Tae-an Bando)_10, 2023, Sand auf Hanfstoff, 80 x 60 cm
Field of Fragments (Tae-an Bando)_11, 2023, Sand auf Hanfstoff, 80 x 60 cm
Shadow Field No. 4, 2022, Korean tree resin lacquer on oiled hanji paper, 83.5 x 66 cm
Shadow field No.1, 2021, Korean tree resin lacquer on oiled hanyi paper
102 x 72.5 cm
Past Tense_25, 2022, traces on Hanji paper foor, framed, 170.5 x 78.5 cm
Past Tense_20, 2022, traces on Hanji paper floor, framed, 99 x 79 cm
Jeewi Lee, 2023. Exhibition view Deutsches Architektur Zentrum (DAZ)
Einschlag, 2018, steel ball on steel chain. BNKR Munich
